This entry was originally published at Hope For Film
It was a busy week. Jeff Lipsky, distributor turned filmmaker, has returned to his distro roots and wants to work with you! I got an email from him and have been meaning to post but my To Do List is a bit unruly. I need an extra hand. Now I was beaten to the punch, but better late than never.
Jeff’s email states:
Theatrical business is flourishing – it wasn’t just Tim Burton’s film that broke global records this past weekend, the IFC Center in New York City also made history, and that’s generally the way things have been going for well over a year. Yet with more and more new distribution platforms on the rise revenues for independent producers and filmmakers continue to diminish. (Of course, that merely an educated guess since there is absolutely no transparency about such numbers whereas box office grosses are as readily available as the weather report.) These and other vexing realities have inspired me to return to my roots. I’m once again hanging out my shingle as an independent distributor for hire, making myself available to filmmakers and producers seeking to engage the services of an ever-passionate and experienced executive who still believes (perhaps now more than ever) in the potential and the immediacy (think revenues) of a theatrical release. In 2007, on a “service deal” basis, I released the record-breaking “Sweet Land,” the award-winning documentaries “The Bridge” and “The War Tapes,” and my own film “Flannel Pajamas.” I can be contacted at jeff.lipsky2010@gmail.com. For those who may not know my history feel free reach out to me so I can relate further details about the other 225 or so films I’ve marketed and distributed, from films by Cassavetes to Jarmusch, from Lasse Hallstrom to Mike Leigh. And so we can discuss how to exploit your film with the same verve, acuity, and exuberance, greasing the wheels for its ancillary future, a future that will remain 100% yours.
Update 3/21/10: Jeff published his manifesto on theatrical distribution this week in IndieWire and it is a must read.
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